who farted seriously: Album Tracklist & Comedy Guide

who farted seriously is a spoken-comedy album credited to Nick Swardson. The official album listing presents a 12-track sequence with a combined runtime of 50 minutes and 12 seconds. Rather than functioning like a conventional music record, it is structured around stand-up-style routines, comic observations, recurring subjects, and character-driven material.

The album’s title is intentionally blunt and follows the irreverent tone associated with Swardson’s comedy persona. Its track names move across topics such as drinking, aging, sports, movies, holidays, and exaggerated fictional situations. This variety gives the release a sketch-like flow while keeping the presentation centered on spoken performance.

The tracklist begins with a short introduction before moving into longer subject-based routines. Several tracks last between four and six minutes, while the longest listed segment is “Old Lady Handjob,” at 10 minutes and 46 seconds. The sequence closes with “A Very Terry Christmas,” giving the album a distinct final entry rather than ending on an unnamed or instrumental track.

Because this is a spoken-comedy album, the individual runtimes are useful for choosing how to listen. Shorter tracks can work as quick samples, while the longer routines provide more room for storytelling, escalating punchlines, and character work.

The sequence has several noticeable pairings. “Booze Is Magic” and “Booze Is Amazing” appear back to back, creating a connected two-track block. “Being Old (Part 2)” suggests an ongoing theme or continuation, while “A Very Terry Christmas” gives the closing position a seasonal and character-oriented feel.

Track Groups at a Glance

The best way to approach the album depends on whether you want the full performance or a quick introduction. A complete listen offers the clearest sense of progression, but the tracklist also supports shorter sessions. Since every routine is separately named, listeners can return to specific subjects without searching through one long recording.

The album’s structure relies on contrast. Very short pieces sit beside longer routines, and realistic topics appear next to exaggerated concepts. This creates a varied listening experience without requiring a separate narrative or fictional setting.

A useful way to understand the release is to group its tracks by comedic approach:

• Personal or everyday subjects: Drinking, aging, and social situations provide familiar starting points.
• Pop-culture references: Sports and movies add recognizable points of comparison.
• Character material: “Ninja Reunion,” “Party Monkeys,” and “A Very Terry Christmas” suggest more heightened performance styles.
• Sequenced themes: The two booze-related titles and “Being Old (Part 2)” make the album feel intentionally organized.
• Long-form escalation: The longest routine provides a central extended segment rather than a collection of equally sized tracks.

The album listing also places it within Nick Swardson’s broader recorded catalog. The same page presents other releases associated with the performer, including Party, Taste It, Make Joke From Face, Many Smells, and Toilet Head. These entries are useful for listeners who want to explore beyond one album, but they should be treated as separate releases rather than additional tracks from who farted seriously.

who farted seriously is most useful for listeners looking for a recorded comedy performance rather than a traditional song-based album. Its appeal comes from the range of subjects, the deliberately provocative naming, and the shift between short pieces and longer routines.

The album is also easy to revisit selectively. The individual track titles make it simple to build a short listening session around a theme, such as drinking, sports, movies, or character comedy. However, the full sequence remains the strongest starting point because it shows how the shorter and longer segments are arranged.

The main takeaway is straightforward: this is a compact, track-based comedy album with a clear performer identity and a deliberately unruly sense of humor. Its 50-minute sequence gives listeners enough material for a full session while preserving the convenience of individually labeled routines.